Recording – Mixequipment

  • Audient ASP 4816, analoges InlinePult
  • Motu 2408, 24 I/O Apple
  • MacPro 12-core, 3,3 Ghz, 48Gb Ram

    Abhöre:
  • Genelec 8260: 3-Weg, Coax-Mittel-Hochton Genelec GLM 2 Raumkorrektursystem
  • Yamaha NS10
  • Avatone
  • Behritone

    zusätzliche Preamps:
  • 1x United Audio Solo 610 (Röhre)
  • 4x Green (AMEK-like, Selbstbau)
  • RME Octamic

Mikros

  • Neumann: 2x KM 100, USM6Si (stereo), M 147 Tube
  • Rode: K2 Tube, NT1
  • Gefell: 2x UM 70, 2x 58 Tube, 2x 62 Tube
  • AKG: 2x C 1000, C 414 B-ULS, C 747, D12,2 x D- 224
  • Shure: 2x SM 58, SM 57, SM 7, 3x Beta 98, Beta 91A
  • Electro-Voice: PL 20, 2x PL 84,
  • Sennheiser: MKH 40, MD 421, e 8405,
  • Beyerdynamic: MCE 82 (stereo), M130
  • Strässer: 2x CM 901

Hardware

  • Expander: Roland: SPD-SX Sampling Pad plus 2x eKick, XV5080, mit Orchester2-, Studio-, String- u. Countryboard EMU: E-synth, 128MB, mit Orbit- und Phat-boards, EMU Ultraproteus, Morpheus, Orbit
  • Peripherie: SSL Summenkompressor (Selbstbau), SPL DynaMaxx, Vitalizer, Charisma, Korg Delay SDD1000, Korg X-911Gitarrensynthesizer, Loopstation JamMan
  • Amps: Roland Mikro Cube, Hartke A35, Hughes & Kettner TubeMeister 18, Dynakord Amigo

Soundlibaries

  • ZB VSL: -Orchestral Cube, -Instruments Pro, -Special Edition; Advanced 4 Orchestra, M. Vitous, Ethno World5, Accordions, North India, East- West: Gypsy, Pianos, Silk, Rare Instruments
  • Spectrasonic: Trilian, Stylus, Omnisphere2, Real-Guitar, Real-Strat, Real-LPC, 9Volt, Chromaphone, Score FX

Software

  • Logic Pro
  • Protools
  • Melodyne
  • VSL-Suite
  • FabFilter